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By day, Robert Titterton is a lawyer閱讀答案
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By day, Robert Titterton is a lawyer. In his spare time though he goes.

on stage beside pianist Maria Raspopova — not as a musician but as her page turner. “I’m not a trained musician, but I’ve learnt to read music so I can help Maria in her performance.”

Mr Titterton is chairman of the Omega Ensemble but has been the group’s official page turner for the past four years. His job is to sit beside  the pianist and turn the pages of the score so the musician doesn’t have to break the flow of sound by doing it themselves. He said he became just as nervous as those playing instruments on stage.

“A lot of skills are needed for the job. You have to make sure you don’t turn two pages at once and make sure you find the repeats in the music  when you have to go back to the right spot.” Mr Titterton explained.

Being a page turner requires plenty of practice. Some pieces of music can go for 40 minutes and require up to 50 page turns, including back turns for repeat passages. Silent onstage communication is key, and each pianist has their own style of “nodding” to indicate a page turn which they need to practise with their page turner.

But like all performances, there are moments when things go wrong. “I was turning the page to get ready for the next page, but the draft wind from the turn caused the spare pages to fall off the stand,” Mr Titterton said, “Luckily I was able to catch them and put them back.”

Most page turners are piano students or up-and-coming concert pianists, although Ms Raspopova has once asked her husband to  help her out on stage.

“My husband is the worst page turner,” she laughed. “He’s interested in the music, feeling every note, and I have to say: ‘Turn, turn!’ “Robert is the best page turner I’ve had in my entire life.”

24.What should Titterton be able to do to be a page turner?

A、Read music.

B、Play the piano.

C、Sing songs.

D、Fix the instruments.

25.Which of the following best describes Titterton’s job on stage?

A、Boring.

B、Well-paid.

C、Demanding.

D、Dangerous.

26.What does Titterton need to practise?

A、Counting the pages.

B、Recognizing the “nodding”.

C、Catching falling objects.

D、Performing in his own style.

27.Why is Ms Raspopova’s husband “the worse page turner”?

A、He has very poor eyesight.

B、He ignores the audience.

C、He has no interest in music.

D、He forgets to do his job.

可圈可點(diǎn)用戶
2021-06-09 11:33
優(yōu)質(zhì)解答

答案
ACBD
解析

翻譯:

白天,羅伯特·蒂特頓是個(gè)律師。盡管他在業(yè)余時(shí)間去了。

在鋼琴家瑪麗亞·拉斯波娃旁邊的舞臺(tái)上——不是作為一個(gè)音樂家,而是作為她的翻頁(yè)者。”我不是一個(gè)訓(xùn)練有素的音樂家,但我已經(jīng)學(xué)會(huì)了閱讀音樂,所以我可以幫助瑪麗亞表演。”

蒂特頓是歐米茄樂團(tuán)的主席,但在過(guò)去四年里一直是該組織的官方翻頁(yè)人。他的工作是坐在旁邊?鋼琴家,翻開樂譜,這樣音樂家就不用自己來(lái)打破聲音的流動(dòng)。他說(shuō)他變得和舞臺(tái)上那些演奏樂器的人一樣緊張。

“這份工作需要很多技能。你必須確保你不同時(shí)翻開兩頁(yè),確保你在音樂中找到重復(fù)的內(nèi)容?當(dāng)你必須回到正確的位置時(shí)。”蒂特頓先生解釋道。

做一個(gè)翻頁(yè)者需要大量的練習(xí)。有些音樂長(zhǎng)達(dá)40分鐘,最多需要翻50頁(yè),其中包括重復(fù)段落的后轉(zhuǎn)。在臺(tái)上無(wú)聲的交流是關(guān)鍵,每個(gè)鋼琴家都有自己的“點(diǎn)頭”風(fēng)格來(lái)表示他們需要用翻頁(yè)器練習(xí)的翻頁(yè)。

但和所有的表演一樣,有時(shí)也會(huì)出問題。”我正翻過(guò)這一頁(yè)準(zhǔn)備下一頁(yè),但這一頁(yè)的氣流導(dǎo)致多余的幾頁(yè)從架子上掉下來(lái),”蒂特頓先生說(shuō),“幸好我能抓住它們放回去。”

大多數(shù)翻頁(yè)者都是鋼琴專業(yè)的學(xué)生或是有前途的音樂會(huì)鋼琴家,盡管拉斯波娃女士曾經(jīng)請(qǐng)她的丈夫在舞臺(tái)上幫助她。

“我丈夫是最糟糕的翻頁(yè)者,”她笑道他對(duì)音樂很感興趣,感覺每個(gè)音符,我不得不說(shuō):‘轉(zhuǎn),轉(zhuǎn)!’羅伯特是我一生中最棒的翻頁(yè)者。”

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可圈可點(diǎn)用戶
2021-06-09 16:33
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